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Gabriel's Message

ARRANGED FOR SATB CHOIR AND CHAMBER ORCHESTRA

Instrumentation

Instrumentation

Flute

Alto Flute

Oboe

English Horn

2 Clarinets I in A

Bass Clarinet

Bassoon

2 Horns in F

Timpani

Percussion I

Triangle

Bass Drum

Dombeck

Glockenspiel

Percussion II

Suspended Cymbal

Crotales

Tam-Tam

Percussion III

Mark Tree

Finger Cymbals

Chimes

Celeste

Harp

SATB Choir

Violin I

Violin II

Viola

Cello

Bass

Program Notes

Program Notes

Gabriel’s Message, also known by its opening line “The angel Gabriel from heaven came,” is a traditional Basque Christmas carol that tells the story of the Annunciation: when the archangel Gabriel appears to the Virgin Mary to announce that she will bear Jesus Christ, the Son of God. In its original language the carol is known as Birjina gaztetto bat zegoen (“There was a young maiden”).

 

The text draws directly from the Gospel of Luke, combining the angel’s proclamation to Mary (Luke 1:26–38) with echoes of Mary’s response of praise, the Magnificat (Luke 1:46–55). Its vivid opening imagery—Gabriel’s snow-white wings and flame-bright eyes—sets a tone of awe and wonder, while Mary is portrayed with humility, grace, and quiet strength:

 

The angel Gabriel from heaven came,
his wings as drifted snow, his eyes as flame;
“All hail,” said he, “thou lowly maiden Mary,
most highly favored lady.” Gloria.

 

Musically, Gabriel’s Message belongs to a long lineage. The melody ultimately traces back to Angelus ad virginem, a medieval Latin hymn dating from the 13th or 14th century. The Basque version was collected in the late 19th century by the French composer and ethnomusicologist Charles Bordes and published in Paris in 1897.

 

The English text most familiar today is a paraphrase by Anglican priest and author Sabine Baring-Gould, published in 1922 and inspired by memories of his childhood winters in the Basque country.

 

The tune itself—now commonly known as Gabriel’s Message—has a tender lilting quality that balances folk simplicity with expressive warmth. Beloved for both its inspired poetry and its gentle melody, the carol has been admired across generations. Its memorable phrase “most highly favored lady” was reportedly the favorite line of Richard Harries, former Bishop of Oxford—a testament to the enduring power of this quietly radiant piece.

 

In this new setting for SATB choir and chamber orchestra, the harmonic language and orchestral colors draw inspiration from the sublime poetry of this long-treasured carol.

 

Text

 

The angel Gabriel from heaven came,

His wings as drifted snow, his eyes as flame.

“All Hail,” said he, “thou lowly maiden, Mary,

Most highly favored lady.” Gloria!

 

“For know, a blessed Mother thou shalt be,

All generations laud and honor thee.

Thy Son shall be Emmanuel, by seers foretold,

Most highly favored lady.” Gloria!

 

Then gentle Mary meekly bowed her head.

“To me be as it pleaseth God,” she said.

“My soul shall laud and magnify His holy name.”

Most highly favored lady, Gloria!

 

Of her Emmanuel the Christ was born

In Bethlehem, all on a Christmas morn,

And Christian folk throughout the world will ever say,

“Most highly favored lady.” Gloria!

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